Although this composition sounds like it came straight out of the Baroque period, it is actually the first movement of a suite written in 1996 by Karl... > Lire la suite
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Although this composition sounds like it came straight out of the Baroque period, it is actually the first movement of a suite written in 1996 by Karl Jenkins. Instantly recognized as the "diamond commercial" theme, its relentless pulse and dramatic nature make it a natural for bands. Robert Longfield's skilled arrangement puts it within reach of most groups. Instrumentation : wind band