Magnificat by Magdalena Zimmermann for mixed choir (SSAATTBB) plays with harmony, rhythm and dynamics. The unexpected continuation of melodies by the... > Lire la suite
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Magnificat by Magdalena Zimmermann for mixed choir (SSAATTBB) plays with harmony, rhythm and dynamics. The unexpected continuation of melodies by the voices, combined with shifted rhythms, engages the audience's attention until the last bar and results in a rich sound. With its soft and gentle ending, Magnificat as a prayer of Mary exudes, at the same time, a sense of calmness and gentleness. The work is rhythmically and harmonically demanding, which is why the singers need to be steady keeping beat and intonation. Once Magnificat has been rehearsed, it is suitable for concerts as well as Sunday services. Instrumentation : mixed choir (SSAATTBB) a cappella
The work plays with harmony, rhythm and dynamics. The unexpected continuation of melodies ensures tonal experiences and engages the audience's attention until the last bar. Despite some opulent passages, Mary's prayer with its gentle ending exudes a sense of calmness. Besetzung : mixed choir (SSAATTBB) a cappella