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The Case Against Andrew Fane

Edition en anglais

  • The Murder Room

  • Paru le : 20/05/2014
A grotesque murder and a mysterious woman lead to the most difficult choice of his life. Classic crime from one of the greats of the Detection ClubAndrew... > Lire la suite
3,99 €
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A grotesque murder and a mysterious woman lead to the most difficult choice of his life. Classic crime from one of the greats of the Detection ClubAndrew Fane is faced with five years in prison for fraud, and a penniless future. When he appeals for help from his uncle his pleas go unanswered, but on visiting him Fane is welcomed by a mysterious and heavily veiled woman. When he finds his uncle's body, murdered in horrible and grotesque circumstances, she suddenly disappears leaving Fane faced with the dilemma of telling the police or covering his tracks .

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À propos de l'auteur

Biographie d'Anthony Gilbert

Anthony Gilbert was the pen name of Lucy Beatrice Malleson. Born in London, she spent all her life there, and her affection for the city is clear from the strong sense of character and place in evidence in her work. She published 69 crime novels, 51 of which featured her best known character, Arthur Crook, a vulgar London lawyer totally (and deliberately) unlike the aristocratic detectives, such as Lord Peter Wimsey, who dominated the mystery field at the time.
She also wrote more than 25 radio plays, which were broadcast in Great Britain and overseas. Her thriller The Woman in Red (1941) was broadcast in the United States by CBS and made into a film in 1945 under the title My Name is Julia Ross. She was an early member of the British Detection Club, which, along with Dorothy L. Sayers, she prevented from disintegrating during World War II. Malleson published her autobiography, Three-a-Penny, in 1940, and wrote numerous short stories, which were published in several anthologies and in such periodicals as Ellery Queen's Mystery Magazine and The Saint.
The short story 'You Can't Hang Twice' received a Queens award in 1946. She never married, and evidence of her feminism is elegantly expressed in much of her work.

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