Franz Schubert's scherzos were right at the beginning of a development that, in the course of the 19th century, resulted in the separation of the scherzo... > Lire la suite
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Franz Schubert's scherzos were right at the beginning of a development that, in the course of the 19th century, resulted in the separation of the scherzo from the sonata and its emancipation as an independent piano piece. These traces become apparent in the three pieces compiled in this volume : the two popular Scherzos in B flat major and D flat major (D 593) and the Scherzo in D major (D 570) which has survived, together with an allegro fragment, in the composer's autograph. With its pleasantly flowing melody, its typically Schubertian harmony and the modest technical demands, this piece might soon outrank its well-known sister work in B flat major. Instrumentation : piano D 593/1-2, D 570
These pieces mark the period, during the 19th century, when the scherzo separated from the sonata and became an independent piano piece. The Scherzos in B flat major and D flat major (D 593) and the Scherzo in D major (D 570) have survived in the composer's autograph. Besetzung : piano D 593/1-2, D 570