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Film Sound - Theory and Practice (Broché)

Edition en anglais

Elisabeth Weis, John Belton

Collectif

  • Columbia University Press

  • Paru le : 01/01/1985
The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected... > Lire la suite
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The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years. In addition, it provides useful models for the analysis of sound stylistics in the form of case studies of a number of the most important sound films ever made. It is a compact primer/handbook which reviews in a coherent, rigorous, yet eminently accessible way the techniques and practices of sound filmmaking from initial recording to final playback in the theater.
The book contains essays by Douglas Gomery, Barry Salt, Rick Altman, Mary Ann Doane, S. M. Eisenstein, V. I. Pudovkin, René Clair, Rudolf Arnheim, Bela Balazs, Siegfried Kracauer, Christian Metz, David Bordwell, Kristin Thompson, Noël Burch, Arthur Knight, Lucy Fischer, Noël Carroll, Alan Williams, Fred Camper, and others. Essays deal in detail with such filmmakers as Lubitsch, Clair, Mamoulian, Vertov, Lang, Pabst, Stahl, Welles, Hitchcock, Renoir, Bresson, Godard, Altman, and Coppola.

Fiche technique

  • Date de parution : 01/01/1985
  • Editeur : Columbia University Press
  • ISBN : 0-231-05637-0
  • EAN : 9780231056373
  • Format : Grand Format
  • Présentation : Broché
  • Nb. de pages : 462 pages
  • Poids : 0.655 Kg
  • Dimensions : 15,0 cm × 23,0 cm × 2,3 cm

À propos des auteurs

Elisabeth Weis is Associate Professor of Film at Brooklyn College, City University of New York. John Belton is Assistant Professor of Film at Columbia University.
Elisabeth Weis et John Belton - Film Sound - Theory and Practice.
Film Sound. Theory and Practice
Elisabeth Weis, ...
51,40 €